Part 1 is here
Nas is indisputably one of the greatest MCs to ever grace the mic, as hip hop as rappers go. From what is widely considered one of, if not the best rap album ever, the gritty, streetwise Illmatic, up to the grown-man, nuanced, elegant hip hop on Life is Good, his discography is a play-by-play of the evolution of the genre through the eyes of one of its finest.
When he declared, then, that his beloved form of expression was “dead” halfway through his career on Hip Hop is Dead, then, the outburst of conversation was understandable. Fast forward 10 years, and Nas declares himself a proper fan of Future, the divisive rapper scores of hip hop heads declared as antithetical to “real hip hop.” He’d go on to explain his history with the genre on the watershed DJ Khaled track, Hip Hop with Scarface.
Continue reading “An Outsider’s Ode to Hip Hop – Part 2”
Kendrick Lamar’s 2012 masterpiece good kid, m.A,A.d city was, by any measure, one of the best albums to come out in years. Kendrick is one of the finest MCs to ever grace the mic, and he’s aided by production that complements his lyrical detailing stunningly well. It’s a supremely engaging work of music. But most importantly, it’s a meticulously told tale of Compton, California. It’s a lens into the life of a community and a people away from mainstream discourse, where the primary voices are those of the talents that emerge from within the community.
It seems that GKMC provided an image that most in the USA were themselves under-educated on. To a middle class high-schooler from India, then, it was a fascinating, complex, almost frighteningly voyeuristic insight into a life thousands of kilometers away from me. But somehow, the music spoke to me. It intrigued me. It made me want to delve into the intricacies of the lives of the people – such as Kendrick – who lived these lives every day. It goaded me into educating myself on issues of race, class, crime and culture that have always been a source of keen interest for me. The album, to me, wasn’t just music. It was a focal point in understanding a culture to which I was an outsider. And that, has been a compelling reason why I’m drawn to hip-hop, and why it’s been so important to me.
Continue reading “An Outsider’s Ode to Hip Hop – Part 1”