Favourite Albums of 2017 – #20 to #16

#20. American Teen, Khalid

Khalid is the breakout pop star of 2017. Capturing the millennial mood in a way few others in the mainstream have, Khalid effortlessly updates relics of romance and quarter life crises to the smartphone age. A large percentage of the songs live in a world shaped by the devices we hold in our hands – our source of joys, but a Pandora’s box just as often. Love and relationships are digitized, with their set of ups and downs. The top half of American Teen is an incredible run of pop anthems, while the second half ventures into upbeat R&B ballads – but the whole thing sounds like an album, an increasingly rare attribute.  Despite Khalid’s voice being the only one on the entire record, he holds his own better than some seasoned musicians, thanks to his earnest vocals and production that winks at classic R&B while consistently maintaining a richly modern sound. He comes of age through the run of the album, a self-assured debut that lays an exciting base for Khalid’s growth as a person, and artist.

Listen to: American Teen, Another Sad Love Song

#19. Rainbow, Kesha

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Kesha’s resurgence has been one of the greatest pop star transformations to witness in the last couple of years. A soaring, powerful record, Rainbow has an inspired Kesha shedding her Autotune-drenched party pop, instead placing her confident vocals front & center, her strife firmly behind her. She’s been vocally feminist in previous years, and that shows most evidently here. Her music here transforms the painful misogyny she’s faced over the years in the industry into boisterous, resilient pop music. She’s also retained her flamboyance, asserting that the Kesha we’re listening to now hasn’t lost the playful charm from when she first burst onto the scene. Rainbow thus has one of the most memorable pop stars of our time singing her heart out, and beautifully capturing ours in a way few others have.

Listen to: Woman, Praying

#18. Pretty Girls Like Trap Music, 2 Chainz

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Yes, a 2 Chainz album is one of my favourites of the year. 2017 has been strange. Pretty Girls Like Trap Music isn’t just arguably Epps’ best album, it’s an all-round great album – Chainz exudes cool swagger throughout, deftly detailing the street life and the rap life through some of his sharpest punchlines. The production is as 2017 as it gets, mixing melodic trap with luxurious Southern textures. And it all sounds surprisingly grown- up, with a snarl that asserts that Chainz expects the respect accorded to a rap elderman. The tracklisting is meticulously executed, with a good mix of guests who complement Chainz perfectly. Pretty Girls… is an album that ought to make 2 Chainz disbelievers question their biases – he’s clearly spent time poring over the minutiae of this record, and presented a body of work that commands respect.

Listen to: 4AM, Sleep When U Die

#17. Everything Now, Arcade Fire

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Indie darlings Arcade Fire take their time making music – it lends a sweeping timelessness to their albums. It’s easy for an LP made as such to suffer from a sense of being lost, displaced in the context of the time it comes out. It’s a credit to Arcade Fire’s strength as a band, then, that they are able to create a world here that is untethered to a time, delivering their sound from a towering view, raised on pieces fit together over the years of their lives. The LP effuses neon retro in the layered, impeccably produced soundscape, and earnestly contemplates the world from the perspective of a generation that’s seen relentless change. Even when they tread preachy grounds, it’s hard to fault them for it – frontman Win Butler’s winsome singing makes you want to listen to what they have to say. As the record winds down, closing in a loop back to the opening track, it’s evident that Arcade Fire are aware that the idiosyncrasies of our lives are forever – but maybe, it’s not all bad.

Listen to: Everything_Now (continued) + Everything Now, Put Your Money on Me

#16. Soft Sounds from Another Planet, Japanese Breakfast

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Soft Sounds From Another Planet is an experience – the haze of sheogaze covers the album with cosmic dust, and Japanese Breakfast’s Michelle Zauner seems to construct her images through the same haze. Her lyricism ties the eccentricities of everyday life to abstract metaphors that land with the precision of a blade, such as on, if you’ll forgive the pun, The Body is a Blade. Michelle’s voice shines clear through the expanse, delivering a musical experience that feels like floating through a dream of vignettes from distant points in our lives drifting towards you. There’s a word in Japanese, komorebi, that transliterates to “sunshine filtering through leaves.” Zauner’s music often feels that way, the sign through our mess that there’s a way out.

Listen to: Machinist, Till Death 

 

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Favourite Albums of 2017 – #20 to #16

Pretty Girls Like Trap Music by 2 Chainz

Atlanta has been hugely responsible in influencing the sound of hip hop for decades; from the funky, rich bassline-driven smooth raps of OutKast, to the gritty, straight-talking trap of T.I. and Jeezy, to the mood- driven sing-rapping of Future and Young Thug, the city has kept evolving its sound, and consequentially, that of the genre.

2 Chainz, having blown up somewhere between the aggressiveness of trap and the melodies of ‘mumble rap,’ has had an unsteady career path from dropping the (unfortunate) Tity Boi moniker to the present day. With Pretty Girls Like Trap Music (PGLTM), however, 2 Chainz seems to have hit upon a winning formula – his trademark punchlines are intact and often strikingly clever, and so is the sneer from his trap origins, but it’s complemented by great, memorable harmonies in the production and vocals that clear some of the grit. The result is the best album of Tauheed Epps’ career, and possibly one of the best of the year.

Continue reading “Pretty Girls Like Trap Music by 2 Chainz”

Pretty Girls Like Trap Music by 2 Chainz

FIVE SONGS FOR THE WEEKEND – VII

A weekly series where we pick 5 songs that we think you’d like to listen to over the weekend

#1. I Promise – Radiohead

Listening to an album for the first time and realizing it will end up being one of your favourites is an astonishingly wonderful feeling. That’s what I felt with OK Computer, and to relive that wave of emotions with I Promise, a track tellingly recorded between The Bends and OKC is something a fan usually only dreams of experiencing. With melancholy strummed guitars and marching percussion, Thom brings us back to the delicate and intimate promises of a relationship in danger of tearing apart. It’s an emotional, beautiful track. And it’s quintessentially Radiohead.

#2. Perfect Places – Lorde

Pounding kicks open the track, followed immediately by the existential lyric  “Every night I live and die;”  akin to Green Light, this is a complex song, juxtaposing a dance-y electronic instrumental with exploratory lyrics. Tackling the escapist party culture of alcohol and casual sex with a nuance that acknowledges both the desire for mindless euphoria, as well as the resultant ennui, Lorde once again captures the seemingly-contradictory dichotomy of our youth like few artists do.

#3. Run – Foo Fighters

Given how long the Foo Fighters have been around, there isn’t much in the way of surprises they can throw at you – but that doesn’t mean they can’t make some damn good music their own way. Run begins with Dave’s voice – melodic, yet tinged with a growl bubbling underneath – before launching into classic Foo; the aggressively infectious guitar riffs, driving drums and snarling vocals. It’s a mosh-pit worthy fireball of energy that belies the musicians’ age (which is also the theme of the music video). Thank the musical gods for it.

#4. Everything Now – Arcade Fire

The sunny,  melodic production – co-production credits go to Daft Punk’s Thomas Bangalter – and the indie everyman vocals of Win Butler on the title track of Arcade Fire’s upcoming album, Everything Now, offer an essentially personal narrative in the overwhelmingly populist reality of the world, where the human struggle is lost to consumerist, majoritarian agendas. It’s a bleak message, and more relevant than ever.

#5. 4 AM ft. Travis Scott – 2 Chainz

2 Chainz has come a long way – his flow’s gotten better, there’s some substance to it, and he sounds more reassured and confident in his rapping. With a smooth banger of a beat and a trademark Travis hook adding to the concoction, this has the potential to be a hit. Either way, it’s a legitimately great track.

 

FIVE SONGS FOR THE WEEKEND – VII