Favourite Albums of 2018, #10 to #6

#10. No News is Good News, Phonte

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Phonte makes grown man hip-hop. There is no embellishment here, no grandiose tales, only the clear-eyed gaze of a rapper assured in his skills trained on living through the extraordinary ups and downs of a regular life. Imparting streams of wisdom on fatherhood, marriage, death and even leading a healthy lifestyle from the viewpoint of a middle-aged Black man, Phonte is one of the rare MCs who can hold our attention with razor-sharp rhymes on what would could be mundane topics in the words of others. A round of applause for an artist who continues to quietly be one of the greatest to ever get on the mic.

Listen to: So Help Me God, Such is Life

#9. God’s Favorite Customer, Father John Misty

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It’s Father John Misty – weird, beautiful music that plumbs the depths of his ego for humanity, an exhibition of hard-won empathy. The album’s runtime, the shortest of all his records, runs through a litany of his trademark nihilism, shot through with the faint hope for the better parts of life. FJM makes music for those of us just dumb enough to fly, and we’re all a little better off for it.

Listen to: Please Don’t Die, God’s Favorite Customer

#8. Ancient Transition, Beta Radio

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An album as gorgeous as this is a rare treasure. Taking form over layers of ethereal texture, Beta Radio brings together ochre instrumentation and sage vocals to narrate simple living, the joys of actualization in the midst of expansive country homes. Ancient Transition is ample evidence that the way to creating mesmerizing art is to take the time to live life in its purest, barest beauty. Let the sounds of dawn reach you through the fronds of morning mist.

Listen to: Bees & Swans, Realistic City Living

#7. DAYTONA, Pusha T

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Pusha T is the rapper’s rapper. Hardcore, pure-cut hip hop sears every rough corner of this exercise in minimal space, and maximum abrasion. Push’s themes of coke & luxury raps are well-worn, but it’s exhilarating as ever to listen to him bend words and phrases at will, deftly landing punchlines in his sneering, hyperconfident vocals. The imagery is unparalleled and the mood an industrial churn. Once you’re in its grasp, Daytona refuses to let go.

#6. Double Negative, Low

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Can you tease melody out of noise? Peace out of chaos? Double Negative seeks answers to these questions in layers of pulsating, charged notes, like static on your eardrum. There is a stark beauty to it, with thick walls of sound towering over the subtler moments. Even the relief comes in on an icy breeze. An exploration of the absolute limits to which music can be pushed, this album could not have been created by anyone other than Low.

Listen to: Dancing and Blood, Disarray

 

 

Favourite Albums of 2018, #10 to #6

Favourite Albums of 2015 – #3 to #1

Note: Listen to every song on these albums. They’re worth your time.

#3. King Push – Darkest Before Dawn: The Prelude – Pusha T

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Pusha almost didn’t give us this masterpiece this year: dropped in mid-December, Darkest Before Dawn is the absolute last album to make my list. And with good reason: this is Pusha T’s best solo body of work so far. There is absolutely no excess on this LP: at 10 tracks and about 30 minutes long, this is an effortless listen, and every track makes its presence felt, loud and clear.

Push is rapping at his sharpest, on some of the best production he’s had. There is noticeable edge to the vocals and the lyrics, exacerbated by the issues of race Push touches on through the album. And while he’s always had great production, here is focussed, thematic production; there is no joy to it, the 808s and bass elevating the grit of Pusha’s lyrics to powerful places. Darkest Before Dawn is a testament to Pusha T as a musician, as one who can curate a laser-sharp body of work. And to think, this is only the prelude.

#2. In Colour – Jamie xx

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In Colour is one of those wonderful albums that can be treated as an audio-visual experience by virtue of its cover art and the music itself. Vibrant, warm, cool and silky in turns, this project is one of the most eclectic electronic albums in recent memory. What stands out the most is the seamless incorporation of samples, original production and vocals to present a flowing piece of music that finds form without being limited by any of its elements. Jamie xx incorporates a veritable plethora of influences with a remarkably contemporary flavour, ensuring that In Colour isn’t eccentric, yet like nothing you’ve heard before. I Know There’s Gonna Be (Good Times), a tropical pop wonder, with rap and reggaaeton vocals is a thematic crux of the album.

Jamie xx is a connoisseur of electronica, and In Colour is his most compelling buffet. Let the music play and soak in its beauty.

#1. To Pimp A Butterfly – Kendrick Lamar

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Everyone saw this coming. There is no way around it. To Pimp A Butterfly album transcends rap. Hell, this album transcends music. What Kendrick is conveying here moves beyond the realm of socially conscious music; it is a consciousness all in itself. This album is so incredibly complex, sonically and conceptually.  The lyrics, quite literally, weave short stories that cohere into an incredibly descriptive whole. They are, as James Joyce put it, the portrait of an artist and by extension, his culture. In the same vein, the production on TPAB is aggressively retro, while still sounding fresh; a melting pot of black music, be it funk or jazz or the blues. This is hip-hop grounded firmly in its roots. I am truly stunned by the magnitude of this album.

To Pimp A Butterfly isn’t meant to be easy listening, it isn’t music you can listen to passively. This is a microcosm of the spectrum of overwhelming life  Kendrick has lived through. It is a representation of the African-American experience, through the eyes of one if its own, straddling the line between stardom and humility, money and power, and good and bad. This is, dare I say it, a classic work of art.

 

 

Favourite Albums of 2015 – #3 to #1