Quick Thoughts – Imagine Dragons, Calvin Harris and Young Thug

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#1. Evolve by Imagine Dragons

 

 

 

Imagine Dragons are at the forefront of the wave of pop/electronic rock bands that can make some great anthems and fill up concerts with their sing-alongs, but cannot for the life of them, put together a great album. Every track on the mercifully short Evolve is driven by stadium-sized drums and vocals, and poppy synths that are earworms at best, and ear-gratingly bad at worst.

Dan Reynolds is a talented vocalist, and puts up an earnest performance throughout. He can lift songs to incredibly satisfying highs when done right, such as on the epic Believer, Whatever it Takes, (where Dan employs a hip-hop cadence on the verses) and Rise Up. Whether these songs are good is debatable, but they accomplish what they set out to do – fill your headphones with an overwhelming passion, that stirs something in you, like it or not.

Continue reading “Quick Thoughts – Imagine Dragons, Calvin Harris and Young Thug”

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FIVE SONGS FOR THE WEEKEND – VII

A weekly series where we pick 5 songs that we think you’d like to listen to over the weekend

#1. I Promise – Radiohead

Listening to an album for the first time and realizing it will end up being one of your favourites is an astonishingly wonderful feeling. That’s what I felt with OK Computer, and to relive that wave of emotions with I Promise, a track tellingly recorded between The Bends and OKC is something a fan usually only dreams of experiencing. With melancholy strummed guitars and marching percussion, Thom brings us back to the delicate and intimate promises of a relationship in danger of tearing apart. It’s an emotional, beautiful track. And it’s quintessentially Radiohead.

#2. Perfect Places – Lorde

Pounding kicks open the track, followed immediately by the existential lyric  “Every night I live and die;”  akin to Green Light, this is a complex song, juxtaposing a dance-y electronic instrumental with exploratory lyrics. Tackling the escapist party culture of alcohol and casual sex with a nuance that acknowledges both the desire for mindless euphoria, as well as the resultant ennui, Lorde once again captures the seemingly-contradictory dichotomy of our youth like few artists do.

#3. Run – Foo Fighters

Given how long the Foo Fighters have been around, there isn’t much in the way of surprises they can throw at you – but that doesn’t mean they can’t make some damn good music their own way. Run begins with Dave’s voice – melodic, yet tinged with a growl bubbling underneath – before launching into classic Foo; the aggressively infectious guitar riffs, driving drums and snarling vocals. It’s a mosh-pit worthy fireball of energy that belies the musicians’ age (which is also the theme of the music video). Thank the musical gods for it.

#4. Everything Now – Arcade Fire

The sunny,  melodic production – co-production credits go to Daft Punk’s Thomas Bangalter – and the indie everyman vocals of Win Butler on the title track of Arcade Fire’s upcoming album, Everything Now, offer an essentially personal narrative in the overwhelmingly populist reality of the world, where the human struggle is lost to consumerist, majoritarian agendas. It’s a bleak message, and more relevant than ever.

#5. 4 AM ft. Travis Scott – 2 Chainz

2 Chainz has come a long way – his flow’s gotten better, there’s some substance to it, and he sounds more reassured and confident in his rapping. With a smooth banger of a beat and a trademark Travis hook adding to the concoction, this has the potential to be a hit. Either way, it’s a legitimately great track.

 

FIVE SONGS FOR THE WEEKEND – VII

Five Songs for the Weekend – VI

A weekly series where we pick 5 songs that we think you’d like to listen to over the weekend

#1. Rollin ft. Future, Khalid by Calvin Harris

(full track on Spotify) 

Calvin Harris is on a roll (pardon the pun). With this track, he continues to bring together artists you might not have expected to hear together over warm, bouncy production that is a far cry from his past of big room EDM. Khalid reaffirms his place as a musician to keep an eye on, with an insanely catchy hook that’s a perfect fit for this beat, while Future brings his signature melodic flow and warbly vocals to keep the danceability quotient high. If you’d told me a couple of months back that I’d be heaping such high praise on a Calvin Harris song, I’d laugh; but here we are.

#2. Wildfire by blink-182

Ah, 90s bands that attempt a comeback. They’re always hit-or-miss, and for a while it seemed blink-182 would fall on the side of the misses, which might’ve been a little saddening (All the Small Things is still a great song). But Wildfire is a pretty great track – it’s got the relentless energy of classic blink, but with production and vocals that sound like a band realizing they grew up. Here’s to them finding their place in a new musical landscape.

#3. Shreddy Krueger by MANWOLVES

It’s rare to find a band that makes rap work with live instrumentation – but when it does work, it can make for pretty great music. MANWOLVES takes instrumentation you wouldn’t expect backing most rappers – trumpets and percussion that’s more snares than deep kicks or hi hats. The vocals aren’t the focus – this is truly a band. With that said, they sound at home with the production, and the hook makes for a good sing-along. They might not be the next Twenty One Pilots yet, but MANWOLVES are worth your time.

#4. Whatever It Takes by Imagine Dragons

It’s hard to call Imagine Dragons great – their hits are inconsistent, and not particularly outstanding musically. But every once in a while, they put out songs that are inescapable – epic tracks with anthemic hooks and rousing production. Whatever It Takes is such a record – Dan Reynolds is an accomplished vocalist who knows exactly what the song requires from him, and the electronic-tinged instrumental drives the powerful pre-chorus and chorus to soaring high. They may not make the most innovative music, but they definitely make some of the most memorable mainstream electro-rock.

#5. The System Only Dreams in Total Darkness by The National

It’s been a while since The National put out new music, and it seems like something’s changed in the intermediary years – The System Only Dreams In Total Darkness seems to leave behind the subdued, atmospheric sound of Trouble Will Find Me for a more aggressive, driven sound. Even Matt Berninger’s signature one-liners sound more purposeful – The National seem to have a more definite path ahead, as opposed to the melancholy abstractness of their previous work. I cannot explain it any other way.

 

 

 

Five Songs for the Weekend – VI

Five Songs for the Weekend – V

#1. call the police  by LCD Soundsystem

LCD Soundsystem are finally back, and their melancholy dance rock sounds particularly apt for a time “we all know […] is nothing.” The kraftwerkian grooves are as catchy as ever, in contrast to the ponderous brevity of frontman James Murphy’s politically-tinted lyricism. The creators of the perfect soundtrack to dance  away one’s worries are truly back; the new album cannot get here fast enough. 

#2. Glam by Walrus

This hazy, psychedelic track with a contemporary indie bent harkens back to the glory days of glam rock – think Queen meets Daughter – with its earworm guitar riffs and drawling vocals, making it perfect for a sunny afternoon.

#3. Bimmer Music by Ishmael Raps

A high-energy, exuberant track whose aim is to simply be as fun as possible. As evidenced by the title itself, this is made to bump while driving, with its booming production and hyped-up flow. A true banger.

#4. Thinking of a Place by The War on Drugs

Guided by the bittersweet ruminations on life of frontman Adam Granduciel, The War on Drugs’ sprawling new single is a self-contained journey through the many crests, troughs and bends of thought, gliding on ethereal instrumentation that flows with Adam’s vocals to create an experience of a song that transports one to the place he seems lost in.

#5. Intoxicate by ZHU

ZHU is one of the most interesting producers out there right now, with a sexy, sleek aesthetic that is as much electroncia as it is modern RnB. He continues this genre-melding with Intoxicate, combining his own falsetto vocals with his subdued brand of EDM. This one’s for the dark club corners that ZHU owns.

Five Songs for the Weekend – V

Five Songs for the Weekend – III

A weekly series where we pick 5 songs that we think you’d like to listen to over the weekend

#1. Slide ft. Frank Ocean and Migos by Calvin Harris

The excitement for this unlikely collaboration has been extremely high since it was first teased, and thankfully, it delivers. Backed by shimmering retro-pop production courtesy of Calvin, Frank Oceans delivers some fantastically smooth vocals – think sipping on some rum in a hammock by the beach – before the track transitions seamlessly to the melodic rap of Quavos and Offset. It’s reminiscent in parts of of 90s/early-00s rap-RnB collabs, with some distinctly trap stylings. Summer it is not, but it’s one of Calvin’s best songs in a while, and perfect for the summer. (Find the full song on Spotify)

#2. 2 Lovin U by DJ Premier and Miguel

This was unexpected. Premier hasn’t lost a step with the beats – the funk on this is crazy with some rich guitars, the scratched vocal samples adding that signature Preemo touch. Miguel lays on the silken vocals, floating over the production with unmatched swagger. Everything about this song screams a hit.

#3. Incredible by Future

Damn, Future went from underground trapper to straight up alt-RnB superstar in a week with HNDRXX. A true tropical jam, the synths are vibrant, with just a little edge, and the bass-heavy drums give this a deep house vibe. Future’s vocals are at their cleanest, crafting a trap-RnB ode to his woman in a way only he can. This has the potential to be in heavy rotation in the coming months.

#4. Anoxia by King Gizzard & The Lizard Wizard

King Gizzard & The Lizard Wizard is decidedly one of the weirdest bands out there, and thankfully, also one of the most prolific. No two of their albums sound the same, and their latest, Flying Microtonal Banana is no different. Finding a strange middle ground between desert and psychedelic rock, Anoxia sounds like a snake charmer on acid. Coupled with their lo-fi vocals, esoteric lyrics and impeccable mixing, the track sounds like one’s stumbled into a dimension that straddles the nomad and the shaman. What could they possibly come up with next?

#5. Walk On By ft. Kendrick Lamar by Thundercat

Thundercat is possibly one of the most creative purveyors of the new wave of RnB, and his collaborations with Kendrick are always phenomenal – Walk On By is no different. While Bruner reflects on the disorientation following the end of a relationship, Kendrick continues to paint striking images of the lives of the disenfranchised. The hazy production is an appropriately melancholy backdrop to their verses, and ties together a track that would be a perfect soundtrack to a plodding, sad walk.

Five Songs for the Weekend – III

The 59th Annual GRAMMYs – A Rundown of the Nominees

grammy-awards

The GRAMMYs, till date, remains one of the biggest musical events of the year (even though it has its fair share of detractors) making it a good time to take stock of the biggest artists and music of the past year. With that in mind, we’re doing a quick rundown of the major nominees and their chances to take home that golden gramophone.

Continue reading “The 59th Annual GRAMMYs – A Rundown of the Nominees”

The 59th Annual GRAMMYs – A Rundown of the Nominees

Five Songs For the Weekend

A weekly series where we pick 5 songs that we think you’d like to listen to over the weekend

1. Believer by Imagine Dragons

 

 

An anthemic earworm of a hook, rousing electro-rock production, and lead vocalist Dan Reynolds’ powerful vocals – Believer has all the ingredients of an Imagine Dragons hit. There’s an interesting bit of hip-hop influence here, with Dan adopting a rap-like flow over marching drums reminiscent of the ones on Kanye’s Black Skinhead; after a mediocre sophomore album, this is almost enough to make one a believer in Imagine Dragons again. 

#2. BagBak by Vince Staples

Vince Staples is undeniably one of the best, and smartest, rappers of this generation, and BagBak continues his streak of fiercely unapologetic sociopolitical rap, standing up for people of colour and sticking it to the Man over booming production bubbling with aggression – proclaiming quite succinctly “Tell the one percent to suck a dick, because we on now / Tell the government to suck a dick, because we on now / Tell the president to suck a dick, because we on now.”

#3. Comb My Hair by Coast Modern

The aptly-named Coast Modern is a wonderful new band that’s been putting out consistently great, summery tunes reminiscent of the beach rock of Wavves, and Comb My Hair is their latest. There’s a hint of psychedelia, and the drawling vocals deliver the decidedly weird lyrics in an oddly endearing manner. Quite the trip.

#4. (No One Knows Me) Like the Piano by Sampha

This gorgeous track from Sampha’s long-awaited debut album is a testament to the intense emotions the incredibly talented musican can evoke – accompanied almost entirely by the titular piano, Sampha reminisces on times gone by, using the full breadth of his stunning – yet somehow delicate – voice. It’s nearly impossible to listen to this without a lump in your throat.

#5. Random Haiku Generator by Sin Fang, Sóley & Örvar Smárason

The video description for this beauty perhaps describes this song better than we could: it’s a “confusing commentary on modern life” that is “one part electronic power ballad, one part delusional fantasy.” It’s just as wonderfully weird as it sounds, and thanks to musicians like Örvar Smárason (from múm) who are adept at making the weird sound serene, this track is bound to be on the soundtrack to your ruminative evenings. 

Five Songs For the Weekend